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Temple of Flora, sometimes criticized for its scientific
inaccuracy, is perhaps the single most famous of all florilegium. Dr.
Robert Thornton was not primarily an artist. However, he was the driving
force and visionary behind the creation of this great work.
To
produce it, he employed other artists and engravers. Thornton lived from
1768 to 1837. He intended to issue seventy plates dramatically and
poetically illustrating Linnaeus' discoveries about the sexual system of
plants.
It
required the completion of only twenty-eight plates to bring financial
ruin upon the well-stationed physician. The project fell victim to
Thorton's almost fanatical attention to detail and the changing taste of a
social elite who had become somewhat jaded by the preponderance of great
flower books created during this period.
In 1804, he opened a gallery in London. There he exhibited the original
paintings and sold catalogs. The primary objective was to publicize the
folio of engravings as it was being published and released.
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Desperate to continue funding his work, Thornton now embarked on his
wildest scheme. He applied for and was granted permission by Parliament to
hold a fantastic lottery. For prizes he produced a quarto, or miniature,
edition of The Temple of Flora. First prize was to be the entire contents
of the gallery. The lottery failed to attract ample participants and
Thornton died destitute, financially ruined by his dream.
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