A Collectors guide to  conservation, care and handling OF WORKS OF ART AND DOCUMENTS

 This 19^th century engraving suffered a tear and staining from pressure-sensitive tape.  The tear was treated with fiber filling, grafting it into the tear.  The stains were removed through the application of an organic solvent.

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Philosophy

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Our Philosophy Rests on the Basic Principles That a Responsible Conservator Should Observe

 The Principle of Discretion

The first task after examination is to decide whether the object will benefit from active treatment. A vast majority of cases do warrant treatment.  There are instances, however, when a passive treatment such as proper archival storage or limiting exposure to ultraviolet light, is the only recommended solution.  It is important for the professional to know when to proceed, and to advise their client accordingly.

 The Principle of Original Integrity and Allegiance

The conservator’s primary allegiance is to the integrity of the object or work of art and its preservation.  An object should not be “over restored”.  The artist’s intent, when applicable, should be respected.

The Principle of Reversibility

Technology will change and the knowledge base will undoubtedly grow, therefore all materials and techniques used in the restoration process should be reversible.  A future conservator should be able to undo anything that is done today, so that the object may benefit from any advancement in the field.

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