Pierre-Joseph Redouté, Pl. 155 Boursault Rose, Les Roses,  1817–24, stipple engraving
$4,500 this week only (list price $6,500). Offer expires 3-26-2018
19 March, 2018 by
Pierre-Joseph Redouté, Pl. 155 Boursault Rose, Les Roses,  1817–24, stipple engraving
Laura Oppenheimer

Pierre-Joseph Redouté Pl. 155 Boursault Rose, Les Roses, 1817–24, stipple engraving finished by hand

Acquire an exquisite hand-colored stipple engraving, Plate 155 Boursault Rose, Rosa reclinata flore sub-multiplici, Rosier à boutons penchés (var. à fleurs semi doublés), from Pierre-Joseph Redouté’s renowned monograph, Les Roses (1817–24), available this week only at significant savings. Before being cultivated in large nurseries, the Boursault rose was first bred c.1818–20 in the extensive and well-appointed gardens of its namesake, Jean-François Boursault (1750–1842), a French comic actor, politician, and amateur rosarian. This beautiful variety of climbing rose, which is nearly thornless with medium semi-double pink blossoms, was first illustrated in this magnificent plate by Redouté.

Comprising 169 images, Les Roses was published in 30 parts between 1817 and 1824 and enjoyed immediate success. Redouté, masterfully employed stipple engraving to depict the translucency of the flower petals and portrait-like individuality of each leaf and flower. The intensity of inking and subtlety of coloring all contribute to engravings of unrivaled beauty.

Every delicate nuance of the rose's ideal form, color, and texture is edified in Redouté's iconic work. Stipple engraving finished by hand with exceptional à la poupée color. Printed by Rémond and engraved by Langlois. An exceptional example of Redouté's legendary stipple technique. In perfect condition, folio size, 14.25 x 10.625 inches.

References: Journal of a Horticultural Tour Through Some Parts of Flanders, Holland, and the North of France, in the Autumn of 1817, by Patrick Neill, Bell & Bradfute, 1823, 452–456; The Rose: An Illustrated HistoryPeter Harkness, Firefly Books, 2003, 235–236

 $4,500 this week only (list price $6,500). Offer expires 3-26-18.

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Considered to be a French artist, Pierre-Joseph Redouté (1759–1840) was born in  the village of Saint-Hubert, now a part of Belgium. The descendant of a long line of painters, he was first trained by his artist father, Charles Joseph Redouté (1715–76). At the age of 15 he left to make a living as an itinerant painter and decorator. In 1782, his elder brother, Antoine Ferdinand Redouté (1756–1809), a highly regarded decorative artist, invited him to join him in Paris. There he began sketching rare plants at the Jardin du Roi. At the Jardin du Roi (now the Muséum national d’Histoire naturelle), his art work was noticed by the Linnaean botanist Charles Louis L’Héritier and Gerard van Spaëndonck, Royal Professor of Painting. Redouté became L’Héritier and van Spaëndonck’s most gifted pupil. Gerard van Spaëndonck is recognized for developing the watercolor technique that Redouté later popularized.

In 1786, Redouté spent a brief period in England where he was introduced to the stipple-engraving technique. Employed at that time primarily for portraiture, it is a process of incising minute depressions in a copper plate forming a field of dots rather than lines. Stipple engraving is sublimely suited to conveying the subtle tonal gradations of watercolors. Redouté, who is credited with perfecting this technique said, “The process which we invented in 1796 for color printing consists in the employment of these colors on a single plate…. We have thereby softness and brilliance of a watercolor.” The dynamic realism he achieved surpassed all previous attempts at color botanical printmaking. In recognition of this valuable contribution, Redouté was awarded a medal by Louis XVIII.

On the eve of the French Revolution, Redouté was named to the position of Draftsman to the Cabinet of Marie Antoinette. Remarkably, he not only survived the Revolution, but attracted the patronage of Josephine Bonaparte in a seamless transition from the royal court to the French Republic. In 1798, Josephine Bonaparte acquired a grand estate, Malmaison, and began to fill its gardens with the rarest plants that the old and new worlds could furnish. Many of the examples depicted in Les Roses are from Josephine Bonaparte’s gardens at Malmaison, as well as from other significant gardens of that time.

For further information or to purchase, please call the gallery at 312-642-5300.

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Pierre-Joseph Redouté, Pl. 155 Boursault Rose, Les Roses,  1817–24, stipple engraving
Laura Oppenheimer 19 March, 2018
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