Audubon’s Watercolors Octavo Pl. 394, Lazuli Bunting, Chestnut-collared Longspur, Lark Sparrow, Golden-crowned Sparrow, Rufous-sided Towhee

The Audubon’s Watercolors Octavo Pl. 394, Lazuli Bunting, Chestnut-collared Longspur, Lark Sparrow, Golden-crowned Sparrow, Rufous-sided Towhee combines the beauty of John James Audubon’s original paintings with the convenient and attractive miniature octavo size to create a delightful avian experience on any wall.

Printed with archival pigments on 100% rag watercolor paper, the Audubon’s Watercolors Octavo edition prints come framed in a ¾” Beaded Louis XVI gold metal leaf frame with an archival rag mat and UV-resistant glazing. The miniature size and delightful imagery of Audubon’s Watercolor Octavos make for excellent groupings and solitary displays alike. As fully framed works of art, our octavos are excellent gifts for the art or nature lover in your life.

About John James Audubon’s Watercolor Octavos

The Audubon Watercolor Octavos are created directly from Audubon’s original watercolor paintings owned by the New-York Historical Society. Oppenheimer Editions was granted special access to the museum collections to create these exacting facsimiles. Working in concert with the museum curators, Joel Oppenheimer meticulously proofed the images to ensure complete fidelity to the originals at the Museum. Issued in a limited edition of 500, the Watercolor Octavos capture the beauty and majesty of all 474 of Audubon’s preparatory mixed-media paintings for his monumental folio, The Birds of America. Viewing these magnificent birds is truly a unique experience. A portion of all proceeds directly support the New-York Historical Society.

About John James Audubon

America’s most revered artist-naturalist, John James Audubon (1785—1851), is renowned for his extraordinary undertaking to visually record the birds and mammals of North America. His publications The Birds of America & The Viviparous Quadrupeds of North America are icons of 19th-century art and capture the nascent stages of American natural history.

Born in 1785 in Les Cayes, Santo Domingo (Haiti) to a Creole mother and French father, Audubon spent the early years of his life in France but moved to America at age 18. It was during this time that his appreciation for birds flourished and he developed a keen artistic acumen for rendering wildlife. It was not until 1819 when Audubon was married and the father of two sons, that he embraced the life of artist-naturalist and embarked on his venture through the backwoods of America with the intent of illustrating the avian life he encountered there.

Audubon’s muti-decade venture resulted in the publication of his monumental folio The Birds of America which documented over 700 bird species on 435 plates. In a similar manner and with the help of his two sons and his friend Reverend John Bachman, Audubon later produced The Viviparous Quadrupeds of North America, which contained 150 plates depicting the mammals of North America. Audubon’s folios were seismic in the fields of ornithology and mammalogy and set a new precedent for natural history illustration.

About Oppenheimer Editions

Established in 1999, our publishing company Oppenheimer Editions was developed in order to produce modern facsimiles of historic works of art. Marrying cutting-edge digital printing technologies with canonical works of art, Oppenheimer Editions has partnered with prestigious museums to make their holdings accessible to the public as fine art prints. Works from the New-York Historical Society’s unrivaled collections of John James Audubon’s watercolors and the Hudson River School paintings are examples of art that otherwise would be unobtainable.

Among the institutional collections we have partnered with are the American Museum of Natural History, the Field Museum, and the Royal Botanic Gardens at Kew. Our Oppenheimer Editions prints are not mere reproductions. Rather, they are limited-edition fine art prints made with the finest quality archival pigments on rag watercolor paper and executed to exacting standards.

For more information about Audubon’s Watercolors Octavo Pl. 394, Lazuli Bunting, Chestnut-collared Longspur, Lark Sparrow, Golden-crowned Sparrow, Rufous-sided Towhee, email us at [email protected] or check out our articles Investigating Audubon’s 50 Best Watercolors and Audubon’s Miniature Folio – The Octavo Edition of Birds of America.

More Information About Audubon PrintsView All Articles

Natural History Art Treasures under $10,000

June 4, 2024

Collecting original art doesn’t have to be expensive. In fact, there are a surprising number of original paintings and antique prints that can be acquired [...]

Read More

Collecting Guide: Oppenheimer Editions Audubon Prints

April 4, 2024

Since its inception in 1996, our publishing company Oppenheimer Editions has partnered with major institutions to make their holdings available as modern facsimile prints. Several [...]

Read More

Exploring Early Methods of Specimen Collection in Natural History Art

March 27, 2024

Have you ever wondered where the reference material for antique wildlife prints and paintings came from? In an era before photography, how did the artist [...]

Read More

Casualties of Fashion: The Contentious History of Plume Plundering

July 18, 2023

Though the idea of ornamenting oneself with a bird carcass may be a bit deterring today, historically, birds and their feathers have played a major [...]

Read More

What is an Engraving? A Guide to Intaglio Printmaking Techniques

June 26, 2023

This article will examine the intaglio printmaking processes of engraving, etching, and their subsidiaries in relation to image production.

Read More

Investigating Audubon’s 50 Best Watercolors

June 22, 2023

The Oppenheimer Editions Fine Art Prints of Audubon's Watercolors for The Birds of America

Read More

Interspecific Encounters in Audubon’s Birds of America

June 22, 2023

Picturing Combat between Different Species in Audubon's Prints

Read More

Audubon’s Miniature Folio – The Octavo Edition of Birds of America

June 21, 2023

A survey of the technical translation of Audubon’s work from the monumental to the miniature.

Read More