Birds of America Double-elephant folio Editions
Viviparous Quadruped Imperial Folio Editions
Elevate your environment with this engaging Gould Birds of Europe, Pl. 148 Fire-crested Wren, Golden-crested Wren!
Lithographed and hand-colored on 21 ¾” × 15” paper, this antique original print captures the avian species in full color and detail. This print is excellent as a standalone centerpiece or as part of a grouping. Enrich your collection with this magnificent piece of natural history art!
John Gould was the most prolific natural history artist of the 19th century
Portrait of John Gould
About the Birds of Europe
First issued in 1832, John Gould’s folio, Birds of Europe, contains 448 hand-colored lithographs that depict the avifauna found throughout the European continent. Many of the plates were rendered by Gould’s wife Elizabeth, and by Edward Lear who regularly contributed to Gould’s publications. The antique original lithographs capture the delicacy of the bird’s form and the subtle texture of their plumage in a balanced, concise composition.
About John Gould
19th-century British artist John Gould enjoyed a prolific publishing career that lasted over half a century and oversaw the issuance of more than a dozen folios examining birds from all over the world. Gould recruited the talents of natural history illustrators including Edward Lear in order to create his luscious folios. Among Gould’s best-known folios are the monumental Family of Humming Birds, Birds of Europe, Birds of Great Britain, and the Family of Toucans.
For more information about Gould Birds of Europe, Pl. 148 Fire-crested Wren, Golden-crested Wren, email us at [email protected] or check out our articles John Gould’s Family of Hummingbirds Lithographs, The Articulation of Macabre Bird Habits in John Gould’s Prints , and The Inclusion of Foreign Avian Species in Gould’s Birds of Europe.
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| Weight | 0.25 lbs |
|---|---|
| Dimensions | 21.75 × 15 × 0.125 in |
Joel Oppenheimer, Inc. is committed to providing our customers with original, antique natural history art of the finest quality. Below you will find the terms and conditions of doing business with us and what to expect when you purchase artwork from our company.
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Authenticity of Artwork
Joel Oppenheimer Gallery guarantees the authenticity of every piece of artwork as described. If you have any questions about the authenticity or condition of a piece, please call us at 312-642-5300 or email us at [email protected].
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Return Policy
We accept returns of artwork purchased on our website within 30 days of the purchase date. Artwork returned in the same condition it was sent in is eligible for a complete refund. If it has been longer than 30 days and you wish to make an exchange, please contact a sales representative at [email protected] to make arrangements.
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Payment
When purchasing art on our website, payment will be due in full when processing the order through the online shopping cart. If you would like to discuss alternate payment options, please contact the gallery at 312-642-5300 or [email protected]
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Condition
Every piece of artwork shipped from Joel Oppenheimer Gallery will be sent in good to excellent condition unless otherwise stated. Due to the depth of our inventory, some artwork may need to be conserved before it is shipped to you. This service is included with the purchase of every piece of antique artwork at Joel Oppenheimer, Inc. Original Audubon Octavos 1st Edition will be shipped in an archival rag board mat. Audubon 2nd edition Octavos are shipped as is.
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Delivery
Unframed artwork is typically shipped within 2 - 10 business days of purchase. If an antique piece requires conservation before it is shipped, this typically adds 5 - 10 business days to the delivery time. Framed artwork purchased online typically ship within 10 - 15 business days of the purchase date. You will be contacted in 2 - 3 business days with an estimated ship date. If you require expedited processing of your order, please contact us at 312-642-5300 or [email protected] and we will do what we can to accommodate your time frame.
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