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This magnificent copper-plate engraving Bode Pl. 7, Bootes; Corona Borealis; Canes Ventaici depicts a vast astronomical landscape occupied by various mythological figures and mythical creatures representing constellations.
Displayed against a gridded framework, the celestial map melds artistry with astronomy by including navigational features alongside the aesthetic interpretations of celestial bodies. Engraved on expansive 26 ½” x 38 ¾” sheets of ivory paper, this antique 18th-century print is a compelling addition to your art or rare print collection. Elevate your thoughts and expand your imagination with this exquisite celestial print!
About Johann Elert Bode
Johann Elert Bode was a German astronomer and mathematician who made significant contributions to the field of celestial mechanics and the popularization of astronomy. While still a young man, Bode independently co-discovered the comets of 1769 and 1770. Likewise, he is credited for Bode’s law, also called the Titius-Bode Law, which is used to determine planetary distances. In addition to his contributions to science, Bode published Uranographia sive Astrorum Descriptio…(1797—1801) which is the largest celestial star map ever produced and the last of the great star atlases of the Golden Age of the Celestial Atlas. This celestial map synthesizes the work of over 100 astronomers from the preceding 200 years and beautifully renders the constellations in the context of the night sky.
For more information about Bode Pl. 7, Bootes; Corona Borealis; Canes Ventaici, email us at [email protected] or check out our articles What is an Engraving? A Guide to Intaglio Printmaking Techniques and Evolving Impressions – Unfolding the History of Prints as Art Objects and Collectibles.
| Weight | 2 lbs |
|---|---|
| Dimensions | 26.5 × 38.75 × 0.125 in |
| Artist | |
| Publication Title | |
| Type of Artwork | Antique Original |
| Medium | |
| Creation Date | 1797-1801 |
| Subject |
Joel Oppenheimer, Inc. is committed to providing our customers with original, antique natural history art of the finest quality. Below you will find the terms and conditions of doing business with us and what to expect when you purchase artwork from our company.
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Authenticity of Artwork
Joel Oppenheimer Gallery guarantees the authenticity of every piece of artwork as described. If you have any questions about the authenticity or condition of a piece, please call us at 312-642-5300 or email us at [email protected].
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Return Policy
We accept returns of artwork purchased on our website within 30 days of the purchase date. Artwork returned in the same condition it was sent in is eligible for a complete refund. If it has been longer than 30 days and you wish to make an exchange, please contact a sales representative at [email protected] to make arrangements.
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Payment
When purchasing art on our website, payment will be due in full when processing the order through the online shopping cart. If you would like to discuss alternate payment options, please contact the gallery at 312-642-5300 or [email protected]
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Condition
Every piece of artwork shipped from Joel Oppenheimer Gallery will be sent in good to excellent condition unless otherwise stated. Due to the depth of our inventory, some artwork may need to be conserved before it is shipped to you. This service is included with the purchase of every piece of antique artwork at Joel Oppenheimer, Inc. Original Audubon Octavos 1st Edition will be shipped in an archival rag board mat. Audubon 2nd edition Octavos are shipped as is.
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Delivery
Unframed artwork is typically shipped within 2 - 10 business days of purchase. If an antique piece requires conservation before it is shipped, this typically adds 5 - 10 business days to the delivery time. Framed artwork purchased online typically ship within 10 - 15 business days of the purchase date. You will be contacted in 2 - 3 business days with an estimated ship date. If you require expedited processing of your order, please contact us at 312-642-5300 or [email protected] and we will do what we can to accommodate your time frame.
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