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The harmonious composition of Berlese Pl. 135, Camellia Lady Grafton captures the flower’s abundant petals and elegantly serrated leaves.
Rendered through the printmaking technique of stipple-engraving, the image is composed of a series of small engraved dots that lend a soft quality to the appearance of the flower. Hand-applied color enhances the delicately engraved flower, adding depth and dimension to it. Breathe life into any space with this original 19th-century engraving. From the gardens of France to your walls, these botanicals will brighten and elevate any space.
About Iconographie du Genre Camellia
Produced from 1839—1843 by Abbe Lorenzo Berlèse, Iconographie du Genre Camellia is a monograph on the camellia genus containing 300 hand-colored stipple engravings of the flowers. Produced in response to the introduction of an increased number of camellia hybrids and species to Europe, Berlèse’s Iconographie proved significant in identifying and differentiating the camellia varietals. The wealthy Italian Abbot Berlèse spent his adult years in France where he studied, cultivated, and wrote about camellias. Beautiful in groupings of four, six, or eight images, the camellias vary in color from ruby red to pink, white, and variegated.
About Abbé Laurent Berlèse
Abbé Laurent Berlèse was the greatest 19th-century scholar on the subject of camellias, which reached peak popularity in the mid-19th century as new variants were cultivated. Born in northern Italy, Berlèse pursued his vocation as a chaplain and moved to Paris where he cultivated camellias. As his gardens grew with new and hybrid camellias, Berlèse recognized the need to document and record the camellia varietals. In response to this need for a camellia index, Berlèse published Iconographie du genre Camellia (1839) containing 300 hand-colored stipple engravings of the flower varietals.
For more information about Berlese Pl. 135, Camellia Lady Grafton, email us at [email protected] or check out our articles The Historical Significance of Botanical Illustration and What is an Engraving? A Guide to Intaglio Printmaking Techniques.
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Read More| Weight | 0.25 lbs |
|---|---|
| Dimensions | 13.5 × 10.375 × 0.125 in |
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Authenticity of Artwork
Joel Oppenheimer Gallery guarantees the authenticity of every piece of artwork as described. If you have any questions about the authenticity or condition of a piece, please call us at 312-642-5300 or email us at [email protected].
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We accept returns of artwork purchased on our website within 30 days of the purchase date. Artwork returned in the same condition it was sent in is eligible for a complete refund. If it has been longer than 30 days and you wish to make an exchange, please contact a sales representative at [email protected] to make arrangements.
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When purchasing art on our website, payment will be due in full when processing the order through the online shopping cart. If you would like to discuss alternate payment options, please contact the gallery at 312-642-5300 or [email protected]
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Condition
Every piece of artwork shipped from Joel Oppenheimer Gallery will be sent in good to excellent condition unless otherwise stated. Due to the depth of our inventory, some artwork may need to be conserved before it is shipped to you. This service is included with the purchase of every piece of antique artwork at Joel Oppenheimer, Inc. Original Audubon Octavos 1st Edition will be shipped in an archival rag board mat. Audubon 2nd edition Octavos are shipped as is.
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Delivery
Unframed artwork is typically shipped within 2 - 10 business days of purchase. If an antique piece requires conservation before it is shipped, this typically adds 5 - 10 business days to the delivery time. Framed artwork purchased online typically ship within 10 - 15 business days of the purchase date. You will be contacted in 2 - 3 business days with an estimated ship date. If you require expedited processing of your order, please contact us at 312-642-5300 or [email protected] and we will do what we can to accommodate your time frame.
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