Birds of America Double-elephant folio Editions
Viviparous Quadruped Imperial Folio Editions
The Besler 1st Ed. Pl. 363, Stinking Hellebore (Bear’s-Foot); Spring Crocuses elegantly captures the blossoming botanicals in charming detail.
Delicately engraved on laid paper, this 17th-century print has a tactile quality that is emphasized by the paper texture, raised linework, and platemark. Likewise, the addition of a calligraphic text on the verso lends dimension and expository intrigue to the piece. As part of the oldest and most costly florilegium Hortus Eystettensis, this print is a valuable piece of history and an enchanting addition to antique and contemporary spaces alike.
About Besler’s Hortus Eystettensis
First published in 1613 by Nuremberg apothecary Basilius Besler, the monumental florilegium Hortus Eystettensis artistically records the flowering contents of the Garden of Eichstätt. Cultivated by Prince-Bishop Johann Konrad von Gemmingen at his Bavarian residence, this garden boasted local and exotic flora from all over the known world. Besler’s folio constitutes 367 exquisitely engraved and lavishly colored plates that capture over 1,000 plant varietals cultivated in the garden. Rendered on large sheets of 22 ½ x 18 inch paper, Besler’s engravings emphasize the ornate qualities of the plants as he traces their progression throughout the seasonal calendar. The first edition of Besler’s Hortus Eystettensis can be distinguished from the Deluxe through the calligraphic text on the verso and no watermark in the paper.
About Basilius Besler
Basilius Besler was a Nuremberg apothecary who created one of the first great botanical folios, Hortus Eystettensis (Garden of Eichstätt), in 1613. Working at a time when botanical illustrations were used primarily to identify plants for medicinal purposes, Besler created a monumental florilegium that prioritized the beauty of the plants over their pharmacological usefulness. As a result, Besler’s Hortus Eystettensis acts as a transitional fulcrum in the history of botanical art between the association of plants as medicine to plants as objects of beauty.
For more information about Besler 1st Ed. Pl. 363, Stinking Hellebore (Bear’s-Foot); Spring Crocuses, email us at [email protected] or check out our articles Basilius Besler’s Hortus Eystettensis or Garden of Eichstätt and How to Distinguish Between the Various Editions of Besler’s ‘Garden of Eichstätt’.
more information about botanical printsView All Articles
Audubon Prints Birds and Animal Art Botanical Art Information
Natural History Art Treasures under $10,000
Collecting original art doesn’t have to be expensive. In fact, there are a surprising number of original paintings and antique prints that can be acquired [...]
Read More
Botanical Art
A Guide to Collecting Antique Botanical Prints
Loved for their beauty, whimsy, and relative affordability, botanical prints offer a wonderful avenue for novice and seasoned collectors alike. Whether displayed as solitary statement [...]
Read More
Birds and Animal Art Botanical Art Information
An Obsession with Natural History and Victorian Collecting Crazes
Spanning the majority of the 19th century, the Victorian era was marked by a rise in fashionable collecting hobbies. Natural history objects were among the [...]
Read More
Botanical Art Information
How to Distinguish Between the Various Editions of Besler’s ‘Garden of Eichstätt’
A practical guide to understanding and identifying the different editions of Besler’s folio through paper types and material characteristics.
Read More
Botanical Art
Plant Mutations in the Botanical Prints of Pierre-Joseph Redouté
A consideration of the artistic rendering of the Tulip Breaking Virus, and the phenomenon of Rose Perfoliation in Redouté's prints
Read More
Botanical Art
Encountering the Amazon through Margaret Mee’s Lens
A consideration of Mee's implicit and overt depictions of symbiotic ecosystems in her paintings of the Amazon Rainforest
Read More| Weight | 0.25 lbs |
|---|---|
| Dimensions | 22 × 16.5 × 0.125 in |
| Artist | |
| Publication Title | |
| Type of Artwork | Antique Original |
| Medium | |
| Creation Date | 1613 |
| Orientation | Vertical |
| Subject |
Joel Oppenheimer, Inc. is committed to providing our customers with original, antique natural history art of the finest quality. Below you will find the terms and conditions of doing business with us and what to expect when you purchase artwork from our company.
Authenticity of Artwork
Joel Oppenheimer Gallery guarantees the authenticity of every piece of artwork as described. If you have any questions about the authenticity or condition of a piece, please call us at 312-642-5300 or email us at [email protected].
Return Policy
We accept returns of artwork purchased on our website within 30 days of the purchase date. Artwork returned in the same condition it was sent in is eligible for a complete refund. If it has been longer than 30 days and you wish to make an exchange, please contact a sales representative at [email protected] to make arrangements.
Payment
When purchasing art on our website, payment will be due in full when processing the order through the online shopping cart. If you would like to discuss alternate payment options, please contact the gallery at 312-642-5300 or [email protected]
Condition
Every piece of artwork shipped from Joel Oppenheimer Gallery will be sent in good to excellent condition unless otherwise stated. Due to the depth of our inventory, some artwork may need to be conserved before it is shipped to you. This service is included with the purchase of every piece of antique artwork at Joel Oppenheimer, Inc. Original Audubon Octavos 1st Edition will be shipped in an archival rag board mat. Audubon 2nd edition Octavos are shipped as is.
Delivery
Unframed artwork is typically shipped within 2 - 10 business days of purchase. If an antique piece requires conservation before it is shipped, this typically adds 5 - 10 business days to the delivery time. Framed artwork purchased online typically ship within 10 - 15 business days of the purchase date. You will be contacted in 2 - 3 business days with an estimated ship date. If you require expedited processing of your order, please contact us at 312-642-5300 or [email protected] and we will do what we can to accommodate your time frame.
Related products
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Besler 1st Ed. Pl. 189, Lesser Turk’s-cap Lily; Marsh Orchids
Original price was: $3,800.00.$2,090.00Current price is: $2,090.00.
Original Engraving | circa 1613 | 22 x 16.5 inches
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Original price was: $2,400.00.$1,080.00Current price is: $1,080.00.
Original Engraving | circa 1613 | 22 x 16.5 inches
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Original price was: $3,800.00.$2,090.00Current price is: $2,090.00.
Original Engraving | circa 1613 | 22 x 16.5 inches
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Besler 1st Ed. Pl. 154, Creeping, Nettle-leaved and White Bellflowers
Original price was: $2,400.00.$1,080.00Current price is: $1,080.00.
Original Engraving | circa 1613 | 22 x 16.5 inches
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Besler 1st Ed. Pl. 213, Large Mountain Saxifrage; Falsse Pyrethrum
Original price was: $2,200.00.$880.00Current price is: $880.00.
Original Engraving | circa 1613 | 22 x 16.5 inches
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Besler 1st Ed. Pl. 157, White and Red Snapdragons; Death’s Head
Original price was: $2,500.00.$1,125.00Current price is: $1,125.00.
Original Engraving | circa 1613 | 22 x 16.5 inches
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Besler 1st Ed. Pl. 206, Three Calendula; Proliferous, Multiple-flowered and Orange
Original price was: $3,500.00.$1,925.00Current price is: $1,925.00.
Original Engraving | circa 1613 | 22 x 16.5 inches
Sale!
Hortus Eystettensis - 1st Edition - Antique Originals
Besler 1st Ed. Pl. 185, Lesser Turk’s-cap Lily; Spanish Iris; Rhizomatous Iris
Original price was: $4,500.00.$2,700.00Current price is: $2,700.00.
Original Engraving | circa 1613 | 22 x 16.5 inches