From the imperial French gardens to your home, this Redouté Choix 1827, Pl. 77, Hybrid Rose; pink promises to elevate and refine any space.
Drawn by Pierre-Joseph Redouté from botanical specimens in the French royal gardens, this delicate flower is hand color and stipple engraved on antique paper measuring 12 1/2” × 9 1/4”. Elevate your environment with a flower from the empress’s garden!
About Choix des plus belles Fleurs – 1827 Edition
First published in 1827, Redouté’s Choix des plus belles fleurs et des plus beaux fruits, or Choice of the most beautiful flowers and most beautiful fruits contains 144 plates depicting the most attractive botanicals he had encountered throughout his long-lasting career as a royal flower painter. Many of the plants were rendered from fruits and flowers cultivated within the French imperial gardens and other notable botanical collections. The plates are printed in color through a method called stipple engraving with the finishing touches of color applied by hand. Stipple engraving is different from line engraving in that the imagery is made up of a series of dots rather than a continuous line. As a result, the print has a soft delineation of form that is particularly well suited to the delicate subject matter.
About Pierre-Joseph Redouté
Recognized as the royal designer and painter for three successive French Empresses, Marie-Antoinette, Josephine Bonaparte, and Marie-Amelie, Belgian artist Pierre-Joseph Redouté etched his name into the history of botanical art through his magnificent floral folios. Three of his major works, Les Liliacées, Les Roses, and Choix des plus belles fleurs, were produced under royal patronage and depict plants from the French imperial gardens. His botanical prints, rendered through the innovative technique of stipple engraving, received a fervent welcome and were praised for their soft modulation of form and delicate coloring.
Despite the political tumult that characterizes turn-of-the-century France, from the overthrow of the Bourbon empire, the reign of Napoleon, and the July Revolution of 1830, Redouté continued to methodically produce beautifully serene folios of flowers in stark contrast to his violent historical backdrop. His work was highly respected in his time and continues to be prized today.
For more information about Redouté Choix 1827, Pl. 77, Hybrid Rose; pink, email us at [email protected] or check out our articles Plant Mutations in the Botanical Prints of Pierre-Joseph Redouté, The Historical Significance of Botanical Illustration, and The Interrelation between Natural History Art and Porcelain Ornamentation.
Audubon Prints Birds and Animal Art Botanical Art Information
Collecting original art doesn’t have to be expensive. In fact, there are a surprising number of original paintings and antique prints that can be acquired [...]
Botanical Art
Loved for their beauty, whimsy, and relative affordability, botanical prints offer a wonderful avenue for novice and seasoned collectors alike. Whether displayed as solitary statement [...]
Birds and Animal Art Botanical Art Information
Spanning the majority of the 19th century, the Victorian era was marked by a rise in fashionable collecting hobbies. Natural history objects were among the [...]
Botanical Art Information
A practical guide to understanding and identifying the different editions of Besler’s folio through paper types and material characteristics.
Botanical Art
A consideration of the artistic rendering of the Tulip Breaking Virus, and the phenomenon of Rose Perfoliation in Redouté's prints
Botanical Art
A consideration of Mee's implicit and overt depictions of symbiotic ecosystems in her paintings of the Amazon Rainforest more information about botanical printsView All Articles
Natural History Art Treasures under $10,000
A Guide to Collecting Antique Botanical Prints
An Obsession with Natural History and Victorian Collecting Crazes
How to Distinguish Between the Various Editions of Besler’s ‘Garden of Eichstätt’
Plant Mutations in the Botanical Prints of Pierre-Joseph Redouté
Encountering the Amazon through Margaret Mee’s Lens
