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From the imperial French garden at Malmaison to your home, the Redouté Lilies Pl. 102, Black Garlic promises to elevate and refine any space.
Drawn by Pierre-Joseph Redouté from botanical specimens in the French royal gardens, this delicate flower is hand color and stipple engraved on antique paper measuring 21 1/4” × 14”. Elevate your environment with a flower from the empress Josephine’s garden!
About Les Liliacées
Produced under the patronage of Josephine Bonaparte, Empress of France, Pierre-Joseph Redouté’s Les Liliacées contained 503 plates detailing the various plant species of and related to the lily family. Produced from 1802 – 1816, the plates are drawn from Empress Josephine’s extensive collection of plants in her gardens at Malmaison, where Redouté worked as a botanical artist. This folio is often considered to be Redouté’s masterpiece due to the scope, breadth, and quality of its contents.
About Pierre-Joseph Redouté
Recognized as the royal designer and painter for three successive French Empresses, Marie-Antoinette, Josephine Bonaparte, and Marie-Amelie, Belgian artist Pierre-Joseph Redouté etched his name into the history of botanical art through his magnificent floral folios. Three of his major works, Les Liliacées, Les Roses, and Choix des plus belles fleurs, were produced under royal patronage and depict plants from the French imperial gardens. His botanical prints, rendered through the innovative technique of stipple engraving, received a fervent welcome and were praised for their soft modulation of form and delicate coloring.
Despite the political tumult that characterizes turn-of-the-century France, from the overthrow of the Bourbon empire, the reign of Napoleon, and the July Revolution of 1830, Redouté continued to methodically produce beautifully serene folios of flowers in stark contrast to his violent historical backdrop. His work was highly respected in his time and continues to be prized today.
For more information about Redouté Lilies Pl. 102, Black Garlic, email us at [email protected] or check out our articles Plant Mutations in the Botanical Prints of Pierre-Joseph Redouté, The Historical Significance of Botanical Illustration, and The Interrelation between Natural History Art and Porcelain Ornamentation.
Birds and Animal Art Botanical Art Information
Spanning the majority of the 19th century, the Victorian era was marked by a rise in fashionable collecting hobbies. Natural history objects were among the [...]
Botanical Art Information
A practical guide to understanding and identifying the different editions of Besler’s folio through paper types and material characteristics.
Botanical Art
A consideration of the artistic rendering of the Tulip Breaking Virus, and the phenomenon of Rose Perfoliation in Redouté's prints
Botanical Art
A consideration of Mee's implicit and overt depictions of symbiotic ecosystems in her paintings of the Amazon Rainforest
Botanical Art
Visualizing expansion, abundance, and prestige through depictions of "broken" tulips in the art of Basilius Besler, Pierre-Joseph Redouté, Dr. Robert Thornton and Robert Furber
Botanical Art
A consideration of the motives behind picturing plants including the functional uses and theoretical implications of floral imagery.
more information about botanical printsView All Articles
An Obsession with Natural History and Victorian Collecting Crazes
How to Distinguish Between the Various Editions of Besler’s ‘Garden of Eichstätt’
Plant Mutations in the Botanical Prints of Pierre-Joseph Redouté
Encountering the Amazon through Margaret Mee’s Lens
The Historical Allure of Variegated Tulips
The Historical Significance of Botanical Illustration
| Weight | 1 lbs |
|---|---|
| Dimensions | 20.5 × 13.75 × 0.125 in |
| Artist | |
| Publication Title | |
| Type of Artwork | Antique Original |
| Medium | |
| Creation Date | 1802 – 1816 |
| Subject |
Joel Oppenheimer, Inc. is committed to providing our customers with original, antique natural history art of the finest quality. Below you will find the terms and conditions of doing business with us and what to expect when you purchase artwork from our company.
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Authenticity of Artwork
Joel Oppenheimer Gallery guarantees the authenticity of every piece of artwork as described. If you have any questions about the authenticity or condition of a piece, please call us at 312-642-5300 or email us at [email protected].
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Return Policy
We accept returns of artwork purchased on our website within 30 days of the purchase date. Artwork returned in the same condition it was sent in is eligible for a complete refund. If it has been longer than 30 days and you wish to make an exchange, please contact a sales representative at [email protected] to make arrangements.
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When purchasing art on our website, payment will be due in full when processing the order through the online shopping cart. If you would like to discuss alternate payment options, please contact the gallery at 312-642-5300 or [email protected]
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Condition
Every piece of artwork shipped from Joel Oppenheimer Gallery will be sent in good to excellent condition unless otherwise stated. Due to the depth of our inventory, some artwork may need to be conserved before it is shipped to you. This service is included with the purchase of every piece of antique artwork at Joel Oppenheimer, Inc. Original Audubon Octavos 1st Edition will be shipped in an archival rag board mat. Audubon 2nd edition Octavos are shipped as is.
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Delivery
Unframed artwork is typically shipped within 2 - 10 business days of purchase. If an antique piece requires conservation before it is shipped, this typically adds 5 - 10 business days to the delivery time. Framed artwork purchased online typically ship within 10 - 15 business days of the purchase date. You will be contacted in 2 - 3 business days with an estimated ship date. If you require expedited processing of your order, please contact us at 312-642-5300 or [email protected] and we will do what we can to accommodate your time frame.
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