Birds of America Double-elephant folio Editions
Viviparous Quadruped Imperial Folio Editions
Enliven your walls with this antique original Selby Vol 1, Pl. 39, Nuthatch, Creeper engraving!
Depicted at life-size on creamy 20 ⅝” × 25 ½” paper, this avian species is captured with remarkable color and detail. Own a piece of history today with this original 19th-century engraving!
About Illustrations of British Ornithology
Prideaux John Selby’s large-scale engravings were the first work of British ornithology to depict many birds in the size of life. Comprising two volumes with a total of 222 engravings, Illustrations of British Ornithology was published in Edinburgh in 19 parts from 1821 to 1834. Created during the same period that John James Audubon was publishing The Birds of America, both Audubon and Selby employed the Scottish engraver W. H. Lizars. A highly skilled engraver himself, Prideaux John Selby employed W. H. Lizars’ services only for printing and coloring his own exquisite copper plates. Copies vary depending on the folio. Many of the engravings were colored by Daniel McNee. In some folios, all 222 engravings were hand-colored, in others only 218 of the engravings were.
Twenty-six of the plates were drawn by Prideaux John Selby’s brother-in-law, Admiral Mitford, and the rest were executed by Selby, who obtained most of the specimens for the drawings himself. Prideaux John Selby engravings are printed on elephant folio size Whatman paper that is watermarked with the date the paper was made. John James Audubon also used Whatman paper for the Havell edition of The Birds of America.
About Prideaux John Selby
The artist-naturalist Prideaux John Selby (1788—1867) was born in Northumberland, England to a prominent family. As a child, he exhibited a strong interest in ornithology, and by the time he was 12 or 13 years old, he had composed his first illustrated notes on common British birds. Prideaux John Selby became a member of the Wernerian Natural History Society in Edinburgh at an early age. His interests in natural history extended into forestry and entomology, but his devotion to the subject of ornithology was primary.
To learn more about Selby Vol 1, Pl. 39, Nuthatch, Creeper, email us at [email protected] or check out our articles A Comparative Analysis of the Bird Prints of Prideaux John Selby and His Contemporaries and What is an Engraving?
More information about Bird & animal artView More Articles
An Obsession with Natural History and Victorian Collecting Crazes
Spanning the majority of the 19th century, the Victorian era was marked by a rise [...]
17
Apr
Apr
Collecting Guide: Oppenheimer Editions Audubon Prints
Since its inception in 1996, our publishing company Oppenheimer Editions has partnered with major institutions [...]
04
Apr
Apr
Exploring Early Methods of Specimen Collection in Natural History Art
Have you ever wondered where the reference material for antique wildlife prints and paintings came [...]
27
Mar
Mar
The Alchemy of Nature – Using Gold in Natural History Art
While found less frequently in natural history art than other genres, gold nonetheless makes an [...]
20
Feb
Feb
John Gould’s Family of Hummingbirds Lithographs
John Gould’s monograph The Family of Hummingbirds is considered the crowning achievement of his illustrious [...]
06
Jan
Jan
Casualties of Fashion: The Contentious History of Plume Plundering
Though the idea of ornamenting oneself with a bird carcass may be a bit deterring [...]
18
Jul
Jul
The Birds of Paradise: One of Nature’s Most Elusive, Ostentatious, and Promiscuous Families
The Introduction of Birds-of-Paradise to the Western Imagination
24
Jun
Jun
The Articulation of Macabre Bird Habits in John Gould’s Prints
Exposing the unsavory tendencies of the Common Cuckoo and Great Grey Shrike in Gould’s Birds [...]
21
Jun
Jun
Original Duck & Geese Paintings by Louis Agassiz Fuertes
A beautiful selection of original watercolor paintings by renowned artist Louis Agassiz Fuertes has recently [...]
19
Jun
Jun
The Inclusion of Foreign Avian Species in Gould’s Birds of Europe
When browsing the contents of John Gould’s compendious Birds of Europe, the majority of the [...]
16
Jun
Jun
| Weight | 1 lbs |
|---|---|
| Dimensions | 20.625 × 25.5 × 0.125 in |
| Artist | |
| Publication Title | |
| Type of Artwork | Antique Original |
| Medium | |
| Creation Date | 1821 – 1834 |
| Subject |
Joel Oppenheimer, Inc. is committed to providing our customers with original, antique natural history art of the finest quality. Below you will find the terms and conditions of doing business with us and what to expect when you purchase artwork from our company.
-
Authenticity of Artwork
Joel Oppenheimer Gallery guarantees the authenticity of every piece of artwork as described. If you have any questions about the authenticity or condition of a piece, please call us at 312-642-5300 or email us at [email protected].
-
Return Policy
We accept returns of artwork purchased on our website within 30 days of the purchase date. Artwork returned in the same condition it was sent in is eligible for a complete refund. If it has been longer than 30 days and you wish to make an exchange, please contact a sales representative at [email protected] to make arrangements.
-
Payment
When purchasing art on our website, payment will be due in full when processing the order through the online shopping cart. If you would like to discuss alternate payment options, please contact the gallery at 312-642-5300 or [email protected]
-
Condition
Every piece of artwork shipped from Joel Oppenheimer Gallery will be sent in good to excellent condition unless otherwise stated. Due to the depth of our inventory, some artwork may need to be conserved before it is shipped to you. This service is included with the purchase of every piece of antique artwork at Joel Oppenheimer, Inc. Original Audubon Octavos 1st Edition will be shipped in an archival rag board mat. Audubon 2nd edition Octavos are shipped as is.
-
Delivery
Unframed artwork is typically shipped within 2 - 10 business days of purchase. If an antique piece requires conservation before it is shipped, this typically adds 5 - 10 business days to the delivery time. Framed artwork purchased online typically ship within 10 - 15 business days of the purchase date. You will be contacted in 2 - 3 business days with an estimated ship date. If you require expedited processing of your order, please contact us at 312-642-5300 or [email protected] and we will do what we can to accommodate your time frame.
Related products
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 149, Herb paris, Common pink foxglove, Yellow foxglove
$4,000.00
Original Engraving | circa 1613 | 22 x 16.5 inches
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 172, Dark violet columbine, White columbine, et al
$2,800.00
Original Engraving | circa 1613 | 22 x 16.5 inches
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 128, Alexandrian ruscus, Double-flowered primrose, et al
$2,800.00
Original Engraving | circa 1613 | 22 x 16.5 inches
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 13, False lote tree (date plum), Privet
$1,600.00
Original Engraving | circa 1613 | 22 x 16.5 inches
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 162, Golden aster, Striped toadflax, Toadflax
$2,400.00
Original Engraving | circa 1613 | 22 x 16.5 inches
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 174, Spanish nigella, Love-in-a-mist, et al
$3,200.00
Original Engraving | circa 1613 | 22 x 16.5 inches
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 16, White auricula, Purple auricula, Yellow auricula
$2,000.00
Original Engraving | circa 1613 | 22 x 16.5 inches
Hortus Eystettensis - Deluxe Edition - Antique Originals
Besler Deluxe Ed. Pl. 14, Alpine currant, Common currant, Black currant
$3,500.00
Original Engraving | circa 1613 | 22 x 16.5 inches